Farley and Me
Farley Mowat and I go back a long way. I didn’t know him personally but his stories taught me much of what I knew about the Canadian north when I was a kid. He was the quintessential Canadian writer, not just because he wrote about Canada, but because, like the land, his stories held, and continue to hold, such power. And he was from my time. When he mentions Eric the Red and Leif the Lucky, I smile. Those were the Vikings that fascinated me in third grade, when the bottom half of our notebooks were lined and the top left blank for a pencil sketch of the explorers. Long before Ragnar Lothbrok. It was a time when authors (white males) wrote with omniscient (godlike) viewpoints and felt no need for political correctness because it didn’t yet exist.
Lost in the Barrens
I spent the last few days reading myself to sleep with Lost in the Barrens. This is the book that teachers recommend to boys who don’t read, for within its pages lie adventures they will never experience any other way. I don’t know for sure, but I’ll bet that Gary Paulsen of Hatchet fame found Farley Mowat’s books when he was a kid.
Written in 1956, Lost in the Barrens was the third book Farley published, and it won the Governor General’s Award. This “survival story” details the adventures of an orphaned Toronto boy named Jamie Macnair and his Cree friend Awasin, who go hunting caribou with the Chipewyans and end up lost and fighting for their lives in the land of their tribal enemies, the Eskimos.
The two sixteen-year-old boys ride out a six-month mythic hero’s journey where they are tested step by step and page by page. They encounter:
- rapids that destroy their canoe, matches, and most possessions
- a stonehouse grave with Viking treasures (Farley tells its tale later in The Curse of the Viking Grave, 1967)
- physical injuries and starvation
- the sight of 250,000 caribou moving in long files down the valley and later an epic hunt
- winter in the barrens and a blizzard that nearly kills them both
- wild animals that they tame (a fawn and two lost sled dogs) and some that they don’t (wolverines and wolves)
- snowblindness (the White Fire) that nearly drives them mad
At its heart is Awasin’s wisdom and Farley’s theme: “if you fight against the spirits of the north you will always lose.” Its echo resounds as the boys arrive home: “always travel with the forces of the land and never fight against them.”
The Forces of the Land.
I grew up in southern Ontario not far from where Farley spent his final days and some blue moons, the land calls me. I don’t know if it’s ancestral memory, karmic echoes, or simply the allure of home, but this land draws me like lodestone. A kind of madness ensues and I find myself on realtor.ca pricing Kawartha cottages where I went to university, or sorting through faded black and whites, or just visualizing the fields and trails where I rode my horse in Pickering.
My memories are forged on the flora and fauna of what I grew up calling the Eastern Woodlands. I understand the way of the land there; know the names of all the trees and plants; can still smell the odour of wax-pressed fall leaves and crave the sugar bush; remember the purple trillium, and the enormous oaks and elms that shaded us from summer sun so we could read beneath their boughs. And though I’ve lived in British Columbia for two decades I’ve never lost the lure of the lakeside cabin in the bush.
Like Yeats and Thoreau I long to cast off the city and “live deliberately” — until I think about mosquitoes and black flies, -30 Celsius and a metre of snow, and remember just how deliberate that is.
But still it calls. And, in part, I owe that calling to Farley Mowat.
Farley died in 2014 at the age of 92. He was still writing. Maclean’s magazine wrote such a stunning salute to Farley at the time of his death that I can only point the way.
In his hand he held a tiny sea shell, so old that when Awasin took it, it crumbled into dust between his fingers.
Jamie looked out over the broad valley to the dim blue line of the hills to the east. He spoke with awe. “Thousands, maybe a million years ago, this must have been one huge ocean, ” he said. “And these hills were just islands in it.”
Awasin was not surprised as Jamie expected him to be. “There’s a Cree legend about that,” he replied. “It tells of a time when the whole northern plains were all water and the water was filled with strange monsters.”
Thoreau’s September Moon
What if one moon has come and gone with its world of poetry, its weird teachings, its oracular suggestions? So divine a creature, freighted with hints for me, and I not use her! One moon gone by unnoticed! Suppose you attend to the hints, to the suggestions, which the moon makes for one month,–commonly in vain,–will they not be very different from anything in literature or religion or philosophy?
Henry David Thoreau
7 Sept 1851
Eden Robinson and the Son of a Trickster
Eden Robinson
I met Eden Robinson in August 2010, when I attended a gathering of educators in Kamloops, B.C. I was working in Aboriginal Education at the time, and the English First Peoples 10-12 courses were coming available in our province. We gathered to search for understanding, share experiences, and explore ways to promote the courses in our communities.
English First Peoples 10-12
These are wonderful courses that feature authentic First Peoples texts and Principals of Learning to fulfil the required secondary language course requirements. This means that a student can choose to experience First Peoples words and cultures, rather than the usual standbys in the book room like Lord of the Flies and Shakespeare. In communities where there is a significant Indigenous population, Elders enhance the experience, and the curriculum can be personalized and flexed into any number of learning experiences.
Monkey Beach
Eden Robinson joined the circle of provincial educators and spoke about her experiences. Her novel, Monkey Beach, is a recommended text for English First Peoples 12. I haven’t read it for a few years. It’s time for a reread and a review. It’s always good to know exactly where the risky bits are located, so in the Teacher Resource Guide, you’ll find the following page-numbered cautions:
throughout – underage smoking, profanity, fighting and violence
specific:
52 – drug use, violence
65 – violence (fight)
93 – underage drinking
108 – recalling experiences in a residential school
127-128 – verbal abuse
144 – disturbing imagery (describing a death)
156 – fighting
157 – joyriding
204 – drug use
210-211 – adultery, murder
220-221 – mockery and stereotypes of voodoo and witchcraft 230 – use of an Ouija board in a joking manner
251-251 – use of racial slurs and verbal abuse
255 – reference to abuse occurring in residential schools
258 – rape scene
272 – sexual content, disturbing imagery
286 – sexual content
293 – disturbing description of dead body
296 – drinking and drug use
365 – disturbing reference to an abortion
368-69 – disturbing imagery
369 – violence (murder)
As always, Eden Robinson takes risks and opens windows. What do I love about this woman? She tells the truth.
She’s real.
Her characters are real.
And her delivery is real.
She’s also charming, witty, funny, and an amazing storyteller.
And she signed my copy of Monkey Beach with this:
Yowtz Wendy. May good spirits guide you.
Thank you, Eden Robinson. They do. And may good spirits continue to guide you too.
Son of a Trickster
Eden’s latest novel, Son of a Trickster, was released this year. You can read my review online at the Ottawa Review of Books.
To Honour the Sacred Birds
Yesterday, a low-flying great blue heron crossed my path with a blossoming branch in his beak. He was on route from the tidal flat to a small colony of eight nesting pairs in the tall bare trees beside the trail. Then this afternoon, my friend thrilled at the hummingbird courtship antics happening outside her window. Tonight, I watched a pair of mallards try and lead me away from their nest in the muddy creekbed. So, in honour of all the birds that are working so hard right now, courting, building nests, laying and incubating their precious eggs, I want to share this beautiful piece.
When I first heard it, a few weeks ago, on this wonderful Sacred Nature album by Philip Carr-Gomme, it captured my heart. It’s on the track called “Healing Sleep”. He says it is a lullaby from the Scottish Highlands. I’d love to credit the poet, but I don’t know who that is. If you know, please comment. You can read more about the album on Philip Carr-Gomme’s blog.
This piece gives me comfort I cannot explain, which is really the best kind, isn’t it? It wraps around my ragged spirit like a nest of feathers and brings me peace. Listen if you can. The recitation by Glasgow actor, Scott Reid, is accompanied by beautiful vocals and healing harp strains. Here are the words:
The nest of the Raven is in the hawthorn rock
My Little One Will Sleep and He Shall Have the Bird
The nest of the Seagull is in the rock of droppings
My Little One Will Sleep and He Shall Have the Bird
The nest of the Ptarmigan is in the rough mountain
My Little One Will Sleep and He Shall Have the Bird
The nest of the Mavis is in the bonny copse
My Little One Will Sleep and He Shall Have the Bird
The nest of the Blackbird is in the withered bow
My Little One Will Sleep and He Shall Have the Bird
The nest of the Skylark is in the track of a cow
My Little One Will Sleep and He Shall Have the Bird
The nest of the Pigeon is in the red crags
My Little One Will Sleep and He Shall Have the Bird
The nest of the Wild Duck is in the bank of the lakelet
My Little One Will Sleep and He Shall Have the Bird
The nest of the Cuckoo is in the hedge sparrow’s nest
My Little One Will Sleep and He Shall Have the Bird
The nest of the Sea Lark is in the level shingle beach
My Little One Will Sleep and He Shall Have the Bird
The nest of the Teal Duck is in the breast of the tree
My Little One Will Sleep and He Shall Have the Bird
The nest of the Lapwing is in the hummocked marsh
My Little One Will Sleep and He Shall Have the Bird
The nest of the Kite is in the high of the mountain slope
My Little One Will Sleep and He Shall Have the Bird
The nest of the Wren is in the rock thicket
My Little One Will Sleep and He Shall Have the Bird
The nest of the Plover is in the wooden copse
My Little One Will Sleep and He Shall Have the Bird
The nest of the Red Hen is in the green red-tipped heather
My Little One Will Sleep and He Shall Have the Bird
The nest of the Starling is under the wing of the thatch
My Little One Will Sleep and He Shall Have the Bird
The nest of the Heath Hen is in the marshland knot
My Little One Will Sleep and He Shall Have the Bird
The nest of the Curlew is in the bubbling peat moss
My Little One Will Sleep and He Shall Have the Bird
The nest of the Oystercatcher is among the smooth shingles
My Little One Will Sleep and He Shall Have the Bird
The nest of the Heron is in the pointed trees
My Little One Will Sleep and He Shall Have the Bird
The nest of the Bullfinch is in the wood of the dell
My Little One Will Sleep and He Shall Have the Bird
The nest of the Stonechat is in the garden dyke
My Little One Will Sleep and He Shall Have the Bird
The nest of the Rook is in the tree’s top
My Little One Will Sleep and He Shall Have the Bird