Meet Chris, Harry & Badger

Harry: A Wilderness Dog Saga by Chris Czajkowski, 2017

My review is out now on the Ottawa Review of Books site, but I’m offering it here as well. I want to add pictures. Listening to Chris Czajkowski speak is always a pleasure. Meeting her is a thrill. Chris Czajkowski is one of my heroes. I have dreamed of living in a log cabin my whole life. The closest I got, was chopping wood to keep the stove going, when I lived on an acreage in Ontario many years ago. This amazing woman has not only lived in a log cabin, she’s built several. Chris is a writer, artist, photographer, and storyteller, AND she grows her own organic food! Moreover, she’s saved the lives of several dogs. In this, her latest book, those dogs tell her story.


October 17, 2017. Burnaby Library. The room is packed.


“Do you have a dog?” author Chris Czajkowski asks each person who queues to buy her latest book, Harry: A Wilderness Dog Saga. She autographs a copy from her and her dogs, signs it to you and yours. Old friends appear; laughs and memories are shared. Four decades of her life in the Canadian wilderness is neatly laid out in piles across tables at the front of the room. Before she begins her slideshow, Chris introduces each of the eleven books, always leaving us with a smile and a chuckle.

Chris’s latest book is narrated by Harry, a street urchin, who arrived in 2009 at the age of two. It begins like this: “The first time I met Chris I was wearing a diaper.” Many of Chris’s dogs are rescues destined for the needle or a bullet, but after a week or two at one of her cabins in the B.C. wilderness, their lives are resurrected.



Her canine characters are archetypal. Badger (who is now twelve and accompanied Harry and Chris on this book tour) is the wise old man, the Dumbledore of dogs.

Taya is a poet. Sport, a chicken-chomping hunter. Nahanni, a princess:

“Nahanni was a very pretty girl—snow white with a long pink nose that she kept quite firmly in the air. She was a purebred, she immediately had me know—a designer white Husky born in the Arctic. She really could not be expected to associate with anyone of lesser ilk.”

The book is sweet, charming, poetic, and practical, told in the viewpoints of many dogs who’ve lived with Chris, some for briefer times than others. There are moments of tears, terror, and laughter. For example, Taya, a bearish husky, leaves an eccentric smoking spinster who trains packs of sled-dogs in the Arctic, to join Chris and Sport when Lonesome must retire. (Chris always keeps a pair of dogs, sews them large backpacks, and trains them to carry her hiking supplies.) They arrive at the cabin by floatplane and will winter there alone for three months, occasionally hiking through the snowy mountainous terrain. Taya seems poetic in these moments: “Our enormously elongated shadows stretched smoke-blue in front of us on the pinkish ice. Our legs were like enormous trees tapering to a vast distance; our heads were no bigger than pieces of dog kibble.”

Chris jokes that there will be special guests this evening, but not until the end of the show. “When they come in, everyone stops listening to me.” And, this is exactly what happens when the door opens. Harry walks calmly down the centre aisle through the tangle of outstretched hands; while, Badger collapses on the floor to have his belly rubbed.



In this historic moment, when there seems to be no place unknown to man, Chris Czajkowski and her canine pack, explore a barren and beautiful world, threatened only by the forces of nature. Fire is the worst threat. Prompted by lightning strikes and weather change, summer fires have threatened her cabins since 2004.

I will admit, Chris is one of my heroes. She built her cabins. “It was the only way to get what I wanted,” she says. And, because she suffers with food sensitivities, she grows her own food. “You can’t get organic food there.” She shops in bulk two or three times a year; the first item on her list being dog kibble. How did she manage to build cabins, raise dogs, run an eco-tourism business, and become a published author? The answer is in her books.

Harry is a charming book. Chris has included a hand drawn map (she loves to sketch), several black and white photographs (she is a wonderful photographer), and a canine timeline that reflects the building of her six cabins in the West Chilcotin. Chris’s life is not measured by clocks or jobs; her moments sync with nature and survival.

Visit her website:

Harbour Publishing , 2017

November Update

I have not been posting this month. That’s because my mind is crammed with other things. Like writing–which is what we authors live for. When the characters are talking, the settings appearing, and the words flowing, we are in love. And that euphoria fuels us. If we don’t let ourselves get distracted by ordinary life.

At the end of October, I came home from the SiWC inspired, as always. It was almost NaNoWriMo ,which is a fancy short for National Novel Writing Month; the object of which is to focus on churning out 50,000 words in draft form over the grey rainy month of November. I decided to sign-up and give myself some focus, and at the same time, experiment with a free trial version of Scrivener.  If you haven’t heard of Scrivener, it’s writing software with an organizational focus. I’d heard about it on my FB group site and also at the SiWC, so I thought, why not? Give it a try.

To Render a Raven

To Render a Raven

I had  already drafted 45,000 words of To Render a Raven–Book 3 in the Hollystone Mysteries series–last spring. I left off writing at the end of June, then travelled in Ireland. The rest of summer and fall got away from me, and I decided it was time to get back to my first love: Estrada.

If you don’t know Estrada, a wonderful review of Book 2, To Sleep with Stones, just came out in this Toronto magazine: Blank Spaces Review

To Render a Raven picks up a year after To Sleep with Stones, and brings our flawed hero, Estrada, face-to-face with his worst nightmare: losing the people he loves. I can’t tell you much more than that, but if you’ve read Stones, you’ll know that at the end of the book, Estrada is shocked by some news.

So, here we are with one week left in November.

Have I written 50,000 words? No.

Do I think I will finish this draft in one week? No.

Have I decided to buy Scrivener? No.

It looks like smart software, but I found it was distracting me from the heart of what I wanted to do. Tell the story. So, I exported the file to Word and deleted all the Scrivener files from my computers. I no longer have individual scenes tacked up on a virtual corkboard or a neat list of character templates, but that’s just fine.

What I do have, at this moment, is almost 58,000 words in my draft, and a running outline with photos and scene titles, a lot of editing and revising completed, and a movie playing in my head. I know where I’m going.

The next time you hear the garbled cries of trickster ravens, ask yourself this: how do you render a raven?

November Yeats Challenge: Day Two

An homage to one of my loves, WB Yeats by Jane Dougherty.

Jane Dougherty Writes

Another darkly mysterious quote for the dark season. There may be a name for the form my poem has taken—8 8 8 4 8 8 8 4 8 8 8 8 4—but if there is I don’t know it. Feel free to use it, or a variant of it with a rhyme scheme perhaps.

I’m posting this one in the dverse open link night. I am dedicating this month to Yeats, a line every day, so look in and be inspired.

“… the dark folk who live in souls
Of passionate men, like bats in the dead trees;” —W.B. Yeats

They are there at break of day

They are there at the break of day,

As they were when the sun went down,

The paper whispered voices of

Our secrets dark.

In the stirred river-bottom mud,

As in the chill between the stars,

The airless catch in the throat, lie

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