Launching a new book is thrilling. One of the things I enjoy most is reading from my books. It’s one thing to read aloud in front of the computer; it’s quite another to feel the energy of a live audience. Thanks everyone who came and made this moment so special.
At the Gallery Bistro last week, I read one of the scenes where the witches of Hollystone Coven engage in a Summer Solstice ritual at Buntzen Lake in BC. This is the first scene in To Sleep with Stones where we meet Estrada.
Sexy and flawed, Estrada is a free-spirited magician by trade, and high priest of Hollystone Coven by vocation. In this story, he travels to Scotland to solve a mystery and free his friend, Dylan, who’s been imprisoned for murder.
The last eight weeks, I’ve been engaged as a volunteer in a wonderful sleep clinic–testing out various videos, audio tracks, and techniques. Over the years, I’d created a hostile relationship with Sleep. We were enemies, engaged in a battle that I was losing. There were nights I feared that I might never sleep again. And other nights, I felt that I was wasting half my life sleeping. I fought Sleep. I resented Sleep. I craved Sleep.
And I justified my inability to sleep in several ways:
I’m a crazy Vata. “Deepak Chopra says so: “Most Vata people are prone to worry and at times suffer from insomnia, the result of restless thinking. Normal Vata sleep is the shortest of any time–six hours or less is characteristic, growing shorter as one ages.” Deepak–as much as I believe in Ayurvedic healing–legitimized the problem for me. I’m not blaming Deepak, but as soon as I identified with this Vata hell, it became my reality. Or
I’m an HSP (highly sensitive person). Any kind of stimulation in the evening will keep me awake all night. I need to curl up in a cave on the bottom of the ocean to get anywhere close to unconscious. Or
I need the nighttime to process everything I can’t process during the day.
The list goes on.
One thing I realized over the last few weeks is that this “night” time does not have to be for sleep alone. I don’t have to fight with It. Night can be a time to meet my muses, and to descend into varying levels of consciousness. While I am asleep, I can go “on a date” with my characters, play out scenes, visit exotic locales and friends not accessible on this plane. Dreamtime is where and when I write. It’s a place of beauty and promise and magic. Sleep is my friend, not my enemy, and if I unleash a question, I can awaken with an answer.
Here’s an example. Now that books one and two are singing on the shelves, I’m back to writing book three. I actually started writing book three in 2014, then left it to edit and revise the other two. But now, I’m back on Creation Island with freedom splashing like a sea around me. It’s the place of shadows and surprises, of unexpected gifts and connections.
When I started drafting in 2014, I created a character named Leopold. I had photos and written descriptions. I knew his background story, his motivation; knew I had connected with him. Leopold is a key player in book three. But, when I searched for my notes a few weeks ago, they were gone–lost in the mire of new computers and lost USB drives. At last, I gave up and decided to begin again. I remembered the crucial bits of Leopold, and that would have to suffice. Still, I wanted it all. Leopold was my Sangria Niño, my Blood Child.
This afternoon, when I sat down to draft, I had an overpowering urge to sleep. I don’t usually nap, but I couldn’t keep my eyes open. Literally. You know that image of holding your eyelids apart with toothpicks? It was like that. So, I succumbed and went to bed imagining Leopold.
When I awoke, I knew where he was. I went to the computer, typed in his name and voila! The whole file emerged on my desktop, images and all. Now, when I searched several weeks ago, nothing came up. Perhaps, my fingers had not whispered his name. Perhaps, there were so many other voices in my head, I couldn’t hear his.
So, what I’ve really learned out of this sleep clinic–and I will post the results in a few weeks when they are released–is this. I must listen to my body and my spirit. I must venture into the silence and wander and listen and be still. I must appreciate this solitary landscape as a place of spirit and imagination. And embrace it.
When I finished embracing Leopold, I rummaged through my box of journals from 2014, and found this beautiful card: a gift from an old friend who saw me in the image.
In this moment of stillness, I need to do just one thing. Listen.
Driftwood and BC artists embrace in the sands of time. In this article, Debra Bernier, a Canadian artist from Victoria, reveals goddesses among us. Her work is extraordinary…divinely-inspired. To see more click the link.
This morning I wandered at Buntzen Lake. I had not been there all winter as it’s a higher elevation and gets more snow. Actually, while I was wandering, the sun peaked out, and later hail came down in small white chunks. The main trail around the lake beside the dog beach is closed for repairs, but other trails are open. Not much of spring is showing yet; a few leaf buds on bushes, but things are slow this year and it’s been a long cold winter here on the coast. When we first moved here from Ontario, we camped beside this lake. It’s a treasure. It’s where Hollystone Coven perform their ceremonies. Here’s an excerpt from To Charm a Killer where Estrada and Sensara arrive for their Mabon ceremony:
Mesmerized by the forest, for a while he walked in silence. There was no death in this Pacific woodland; only transformation as the dying nourished the living. Miniature ferns sprouted from crooks and hollows of disjointed upper limbs. Mushroom colonies hovered in crevasses; thin stalks twisting like snakes as they competed for space, their rusty caps perfect circles. Cocking his head like a raven, he flung back the long dark locks that tumbled across his eyes. “I love these shaggy tree folks.” He touched the soft hairy mosses that draped in fractured folds from the decaying tree limbs. Hearing no objection, he rambled on. “This forest could be Fanghorn. Maybe we could conjure up our own Treebeard. Befriend an Ent. Can you imagine all these trees ripping up their roots and marching off like Birnam Wood to Dunsinane, only true Canadian pines, rustling and dragging their—” Sensara gasped and hugged her chest. “What?” he whispered. “Another—” “Shiver? That’s three. What is it?” “I don’t know, but I feel sick. Something’s wrong.” Grounding himself, he shot imaginary roots from the soles of his feet deep into the earth’s crust. If there was one thing he trusted, it was Sensara’s radar. “We’re almost there. Come on. We’ll cast the circle.” At the signal tree, they veered off a grass-flecked game trail between massive ferns. Buntzen Lake simmered below, a smoky emerald in the growing dusk. Ancient granite mountains encircled the water; their snow-tipped spires still harbouring scattered traces of last winter’s storms. Pine spikes jutted like slivers from the distant peaks, split only by immense mottled rock that gaped through the trees—faces of mountain spirits and Old World giants. When she shivered again, the energy shot through the air and up his arm like a jolt of lightning. “Jesus. I felt that.” “Something’s coming, Estrada. I don’t know what it is or how to stop it—but unless we do, people will die.”
This is a great article on how watching shows on Netflix can make you a better novelist. I totally agree with Andrew Lowe, not just for everything mentioned here, but for genre, history, and hooks. When you can’t turn it off because you just have to know what happens next, you know you’re hooked.
I’m currently watching “The Last Kingdom” (Wessex during the Viking raids) to explore history and how writers approach the cultural differences between tribes. Fascinating.
via 8 TV Shows That Will Make You a Better Novelist • Reedsy
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