Cherie Dimaline never intended to write a sequel to her dystopian novel, The Marrow Thieves, but after earning the Governor General’s Award and the Kirkus Prize for Young Readers’ Literature, she went into schools to talk with teens about writing the book. When the kids asked if there would be a sequel and were told “no”, they booed her. They wanted to know more about seventeen-year-old Frenchie, his girlfriend Rose, and their road family. They wanted more “coming to” stories, more knowledge of this past/future apocalyptic world, and how these characters would survive this Indigenous holocaust by living as a tight, loving, bush community.
A bone-chilling tale of what could happen, Hunting by Stars is set in the not-too-distant future; perhaps 2050, certainly within the lifetime of teens reading today. When humans have all but destroyed the planet and been sickened by plague, the non-Indigenous people stop dreaming and go insane. Settler scientists experiment and find a cure. Woven within the DNA of Indigenous peoples is the ability to dream. Once it becomes apparent that this precious fluid can be extracted from bone and turned into a dream-enhancing serum, Indigenous people become a commodity to be hunted and harvested. Medical centres, termed “schools,” are constructed like space-age hospitals, and “recruiters” enlisted to track down and detain anyone who might hold the cure. Worse still, some of their own kind are “turned” and sent into communities to bring in their own people. Indigenous people should be proud to do their part in healing the world, shouldn’t they? This situation puts Frenchie’s small family on the run in northern Ontario, heading north into the wilderness, or what’s left of it.
This tale is, in some ways, prophetic; in other ways, a horror story. If you’re squeamish to tales of imprisonment and torture, this story may not be for you. If you’re anxious and afraid of the coming climate change—which is already revealing itself in floods, droughts, fires, hurricanes, and extreme temperatures—this story might not be for you. I actually had to put it down and stop reading during our recent B.C. floods. It became suddenly too real.
But know this: within the evil perpetrated by one race upon another, despite the genocide so graphically portrayed, and the ferocity of Mother Earth’s reaction to humanity’s ignorance, this is also an inspiring story of survival and hope. Case in point—though Canada is still intent on producing the serum organically, the President of the United States has put a halt to the genocide and scientists there are working on a synthetic cure. For Frenchie’s family, the underground railroad south might hold more promise than the sketchy north.
The intensity of love shown between the members of Frenchie’s family, the heart-wrenching loss, deep betrayal and depravity shown by the other, and the gritty reality of living a bush-life on the run, sink deep into our souls.
This is a political book, told in the language of reconciliation—settler versus Indigenous—and from the point-of-view of the hunted. It’s the settlers who created the problem, yet the Indigenous people are being mined as the solution. The schools, forced imprisonment, government-sanctioned hunting of Indigenous people of all ages, and the medical testing and torture that goes on within them, are all based on the Indian residential school model of the none-too-distant past. As such, past is future, and now a thin weave between.
Cherie Dimaline is from the Georgian Bay Metis Community and this story is her voice. She is both a dreamer and singer; her cinematic, poetic prose transports us where “bees swarmed broken streets, made hives out of green-clotted houses, the wallpaper shot through with moss” (389); while her fertile imagination warns us of our own ghoulish capabilities.
Hunting by Stars pulses with a rhetoric of resilience and reclamation. As Nature reclaims the Earth, so Frenchie’s family works to reclaim its culture and language, cherished word by word, action by action, dream by dream. Both books should be read and discussed in schools, for we’ve left this generation with a massive task, and books such as this and The Marrow Thieves are roadmaps to reclamation and hope.
At its heart, Under an Outlaw Moon is a love story about two kids trying to escape the Depression. Based on a true story, Dietrich Kalteis breathes life into a couple of real-life outlaws. This is not an easy thing to do. An author needs space to allow the muse to roam. Kalteis has the facts. But newspaper stories and novels are two very different genres. How does he bring this story to life and make these characters, not only sympathetic but our friends?
In his legendary clipped casual style, Kalteis creates personas from facts and those newspaper names: Bennie Dickson and Stella Mae Redenbaugh (soon to be Dickson). They meet on June 12, 1937 at a skating rink. Stella is fifteen, naïve, and impressionable; Bennie is over a decade her senior, experienced and sporting a criminal record: six years’ hard time for a bank robbery in Missouri. Still, this is love. Their romance boils and simmers while Bennie boxes under the name Johnny O’Malley, and Stella endures the pains of being a poor naïve girl in America. When they marry a year later, she’s already hurt, traumatized, and looking to escape with a romantic hero. She finds one in Bennie. An honourable, sociable, robber, Bennie reads philosophy and writes poetry; plus he’s head over heals in love with Sure Shot Stella. Who wouldn’t fall for Bennie?
These two are classically romantic. They want a house with a white picket fence. It shouldn’t take much—a couple of banks ought to do it. If only J. Edgar Hoover wasn’t the kingpin of the FBI.
Things I love about this book. Kalteis’s legendary writing style. He spins us around his short, clipped phrases and keeps us wanting more. Not many authors today write omniscient (given that agents and publishers warn us against it). But Kalteis is a literary rebel. Embracing the omniscient point-of-view, he provides us access to the thoughts of whoever has the most pertinent information at the time. The personalities of the characters shine in the dialogue. Bennie and Stella are constantly sniping at each other. Love banter. And Stella is cheeky. “You gonna call yourself unkillable again, I think I’m gonna throw up.” She loves her man; there’s no doubt about that. But she’s also spending hours and hours on the run with him, stealing cars, crossing state lines, sleeping wherever, and all in the first year of their relationship. I think she’s earned some cheeky rights. The bulk of the story spans two years: 1937-1939.
A few times, Kalteis spotlights the pursuers. Remember, this is the Depression—the days of Bonnie and Clyde, Ma Barker, Machine Gun Kelly, J. Edgar Hoover and his relentless G-men. We know it can’t end well, and yet, we don’t want it to end. Sitting in the back seat of Bennie and Stella’s stolen coupe is too real and we’re too invested. It’s hard to tell the good guys from the bad guys. A good writer is much easier to spot. You’ll find one here. And though he’d tell you he’s writing crime, in Under an Outlaw Moon, Kalteis is also writing a big-hearted romance.
J.P. McLean speeds us down a deftly drawn and dangerous new road in Blood Mark, the first book in her new paranormal thriller series. Baby Jane Doe was abandoned at birth at the Joyce Skytrain Station in Vancouver. Perhaps her mother couldn’t stomach the blood red birthmarks that snake around her body from head to toe; the marks that have caused her shame and humiliation and made her an object of study. But why are they there? Who are her parents? And why did they abandon her to the foster care system? Perhaps Jane’s mother had a premonition that her daughter would be gifted with a supernatural power impossible to contain.
Jane is a lucid dreamer. Her nightmares drop her back in time where she’s able to see and hear disturbing scenes: a woman held prisoner, a man murdered. McLean drops new characters into the narrative as Jane’s dreams become more advanced and the introduction of a merciless, narcissistic, psychologist spins the plot into overdrive.
But time travel is always problematic. When Jane realizes she can physically materialize within a dream as a kind of shadow and interact with objects, the stakes rise yet again. She could issue a warning or save a life. Change history. But should she? To manipulate an outcome could create a paradox; a causal loop that would effect the future and hence the past and on and on it goes.
Enter Ethan, a handsome bar manager who sees beyond Jane’s blood stripes to the beauty beneath. Ethan is the man we all pray is good because with Ethan, Jane’s birthmarks began to disappear from the sole up. But is Ethan her chance at a normal life? Her soul mate? Or are his intentions more sinister?
Someone has been trying to murder Jane since she was born. McLean continues to flesh out Jane’s backstory through her lucid dreams even as the blood marks on her flesh diminish. What was their purpose to begin with? What will happen when they all disappear?
McLean’s writing is clear, gentle, relentless, and original. Triple viewpoints interweave— Jane, her best friend Sadie, and Rick, the twisted psychologist—and drive the plot like Jane drives her Honda Rebel 500. The language is gritty casual as befits a contemporary novel where one woman works as a prostitute (Sadie) and the other, in a greenhouse (Jane) and both seek solace in bars. And, this edgy, intelligent, psychological thriller has tantalizing touches of Inca myth that will capture your soul from beginning to end.
Yet McLean’s high octane concepts drive our intellect. We learn of lucid dreaming, cataplexy, and dabble in Inca myth and ritual. These are ordinary characters faced with extraordinary circumstances and the author keeps us guessing until the very end. McLean is the author of The Gift Legacy—a highly praised six-book series about a woman who learns she can fly. Odd are, Blood Mark will fly too … right off the shelves.
Fantasy sometimes gets a bad rap, but good fantasy ushers us through the hearts and minds of beings we can identify and sympathize with because it’s driven by the human condition. Affected by forces both benevolent and evil, the protagonist often fights to restore justice. Exceptional fantasy is a keystone, offering us insight, adventure, and escape while leaving us better people in its wake. Way of the Argosi is such a book.
To put it in its place, Way of the Argosi is a prequel to de Castell’s Spellslinger series and branded Young Adult Fantasy; though as is the case with most YA, this book will be as well-received as Lord of the Rings by adult readers. And good news, a sequel, Fall of the Argosi, is on its way.
Sebastien de Castell (this is his real name by the way) introduces us to an extraordinary orphan. Following the dark path of the mythic Hero’s Journey, first conceived by Joseph Campbell, eleven-year-old Ferius Parfax sets out alone after her tribe is massacred by a band of mages. This is a book about power, politics, and genocide and, most importantly, how to not only survive against adversity but change the world for the better. Ferius’s people, the Mahdek are the victims in this vicious war.
Along the way, Ferius meets Durrall Brown, a “meddling frontier philosopher” who is in my humble opinion, one of the greatest characters ever written. Durrall Argos, the man in brown, is a cowboy Buddhist who carries a razor-sharp Tarot deck that can cut you as easily as cure you. Brown instructs Ferius, and us, in the Way of the Argosi. Are you hooked yet?
This is a beautifully produced book with a stunning Tarot card cover that features mirrored images of Ferius Parfax and Durrall Brown. Other intricate full-size black and white images drawn by Sally Taylor separate philosophical sections. And there is a detailed map that reminds me of Ireland, as all maps do. Skip the e-book and buy this book in print. It’s a keeper and one you will return to read again and again if only to learn to be a better human being and savour the feel of slipping inside a velvet cloak by a fire on a rainy day.
Sebastien de Castell’s lyrical prose, brilliant world-building, and exceptional dialogue will keep you turning pages long after your candles have burnt low. “I was tired of living like a wandering ghost, punished by the sight of the hideous, scrawny, sexless creature I glimpsed in grimy pools of street water. I wanted to be clean again” (65). I hear echoes of Tolkien and Stephen King’s Dark Tower series. Another bonus is that de Castell was a fencing choreographer; something evident in the cracking fight scenes that take us directly into the fighter’s mind. Did I say I love this book?
Here you will enter a society like many in Earth’s history where cultures exterminate cultures only to be wiped out themselves. But within the violence are those who illustrate compassion, courage, and wisdom; those who walk with the Way of Water.
Sebastien de Castell
*published in the Ottawa Review of Books, October 2021
An intense psychological coming-of-age story, Secret Sky kept me flipping pages far into the night. Emelynn Taylor, a troubled and naive twenty-two-year-old woman, returns to the seaside cottage where she grew up. As idyllic as it sounds, something’s not quite right. Without warning, Em’s body begins to lose gravity and she finds herself floating into the sky, then crashing back down. She’s been given a gift but no instructions on how to use it. Though she’s made it through university, her floating bouts impact her ability to work, even with her pockets full of rocks. So, with the keys to the cottage and six-months living expenses courtesy of her mother, she returns to the romantic scene of her childhood. But that doesn’t seem to solve the problem.
Secret Sky is the first book in The Gift Legacy series and Emelynn’s gift is one of flight. Who has not envied the birds and dreamed of flying? As a child, I tried to jump off my father’s armchair into flight; after all, I was named after Wendy from Peter Pan. Flying dreams followed, where I ran off the edge of a hill and was suddenly airborne, arms moving in a gentle breast stroke. If you’ve ever experienced these fantasies, you’ll love Jo-Anne’s descriptions of flying. McLean is a masterful writer and includes a complete flying glossary where she introduces you to her secret world.
After a disastrous crash, Emelynn is discovered, healed, and brought up to speed on her gift by Dr. Avery Coulter, a kind doctor, who is part of a secret underground society of flyers. The handsome, sexy, rich, and charming Jackson takes her “under his wing” on his yacht and teaches her to use her gift. Part romance, part sexy thriller, this series introduces a brilliantly original world where our desires are possible.
The story is set in Coastal British Columbia in an idyllic setting that makes me a little envious of young Emelynn who lives in a postcard cottage with waterfront and is able to fly.
In the sixth installment of the Rockton series, Kelley Armstrong takes us back to the town’s beginnings, so much so that I felt regrettably this might be the end. Her website says otherwise. Since she is contracted for seven books, the series “will be at least that long,” Armstrong assures us. Still, there is a lingering sense of finality at the conclusion of this book that gives me a pang of sadness. I’ve loved this series since the beginning.
The discovery of an injured stranger, who only speaks some Germanic language, heralds an investigation into the genesis of Rockton, the outlying settlements, and the hostiles. For those new to Rockton, Armstrong spends the first few chapters reminding us where we are—a strange, somewhat violent town in the Yukon where people apply to live so they can disappear from insurmountable problems in the outside world. This means your neighbours might be killers or victims or just on the run from mistakes and wanting a new start. Rockton is off the radar and puppeted by a council who live outside it, with one rep or spy who usually lives in it.
Casey Duncan, the series protagonist, is a detective. Sheriff Dalton is her mountain man partner, and her sister, April is the town’s autistic physician. Casey’s young Newfoundland dog, Storm, provides comic relief and also is an amazing tracker, something this team needs because someone is always disappearing into the bush.
These books are written with an overarching sense of intelligence. The concept of the hidden Yukon town is clever, but as Armstrong reveals more information as to its genesis through the wily detective, we see a blossoming brilliance in this cold northern darkness. Casey Duncan narrates in the present tense, first-person point-of-view, and we are given ample entrance into her thoughts as she struggles to solve the mystery of the injured stranger and what it might mean to the town and its inhabitants. With that, we learn Casey’s theory of how the hostiles evolved from a splinter group from the second settlement—a settlement that had broken free of the town of Rockton. And so we see these factions which are not so much classes as cultures who strive to navigate “an endless balance of debt and obligation.”
Outdoor enthusiasts will appreciate the riveting action and adventure scenes where Casey and Dalton negotiate with grizzlies, wild boar, wolves, and all the Yukon wilderness has to offer. There is scarcely a moment to eat or sleep or put the book down. No one is who they appear to be, including the injured stranger.
A Stranger in Town is published by Minotaur Books.
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