by Wendy Hawkin | Apr 7, 2019 | Book Review, Canadian writers, murder mystery
Photo from radish fiction.com
I had the pleasure of meeting Kelley Armstrong last weekend at Creative Ink. She is one of the most talented and generous writers I’ve met yet. I learned so much in her three-hour master class that I’m still considering. The discussion there actually prompted a complete revision of the next book I’m writing. In a good way. I also went to a panel she joined on “Elevator Pitches” — sell your book in the time it takes to travel between floors. I wrote one for the book I’m currently working on and pitched it to her when we met for our “blue pencil” appointment. She took out one word and liked the rest. When she read the first scene of my draft, she gave me nothing but positive comments and solid suggestions for how to improve. This is what a writer needs.
I started reading her “Cainsville” series two weeks ago and am surprised by similarities between it and my Hollystone mysteries series. Both are urban fantasy. Both are murder mystery. Both are written for adults—she writes some seriously edgy scenes! Both feature faeries and Celtic myth. I started with Book Two, so now I must go back and read Book One. They’re written as stand-alone novels, so I had no problem following along. I’m just hooked now and want to know more. I want to see how the characters progress from beginning to end.
My review of Kelley’s latest Rockton book appeared last week in the Ottawa Review of Books. You can click the link or read it here.
Who is The Watcher in the Woods?
Book Four in Kelley Armstrong’s Casey Duncan crime series follows fresh on the heels of Book Three; in fact, it’s so fresh the bodies are still decomposing in the woods. Without divulging too many spoilers, one of the men who pursued the serial killer in the last story is shot in the back. A bullet is lodged near Kenny’s spine and there are no surgeons in Rockton—just a butcher who was once a psychiatrist.
Intent on saving Kenny’s life, Detective Casey Duncan and Sheriff Eric Dalton fly secretly to Vancouver to appeal to the best neurosurgeon they know: Casey’s older sister. They must sneak her into town for security reasons. Of course, in a town the size of Rockton, it’s hard to sneak anybody anywhere. The introduction of April as a major character opens up Casey’s family history and peels more layers from her backstory. But the sisters’ relationship is tenuous as April is about as gifted and gregarious as “House.”
Rockton is a town built on secrets. Imagine living in a place in the middle of the Yukon wilderness. A place that is not on a map or visible by plane or satellite or hooked up to the Internet. A place hidden from the world. Imagine that everyone who lives there, all two hundred of you, have been brought here for a reason. Refuge. You’re either a victim of crime or a criminal yourself. The butcher may have murdered his entire family. The madam who runs the bordello may have ripped off the elderly for their life savings. Your neighbour may have been a hit man for the mob. It’s an idyllic prison, of sorts. Even our fearless detective is hiding out for a reason: she is a killer. Not a “line of duty” kind of killer—a “woman who went looking for a man with a gun in her pocket” kind of killer.
Into that mix, throw a man who claims to be a U.S. Federal Marshal in search of a fugitive. Let him track down the hidden town, watch from the woods, then come in bold-faced and search among the townspeople for his target. Idealism turns to chaos. Everyone is certain the marshal is there to drag him or her back to face justice. The marshal claims the person he is seeking appears normal but is criminally insane—a description that fits several of Rockton’s residents. But he won’t reveal who he’s hunting. Now, what would happen if the marshal was found murdered? If indeed he is a marshal. How difficult would it be to determine who shot him?
With a police force of three, a volunteer militia, and an unreliable council who deals out its own brand of justice, anything can happen. In the previous book, the leader of the council was removed. I won’t tell you how that happened. But, the new leader is adversarial and just as sketchy as his predecessor.
The romantic sub-plot takes a back seat in this book. Now that Casey and Eric have settled into their relationship, Casey focuses on protecting her newly-adopted town from itself. She suspects everyone of murdering the U.S. Marshal, except her boyfriend. Even her estranged sister, who appeared in Rockton at the same time as the man, is suspect.
And then there are the hostiles—residents who’ve left Rockton to take up residence in the wilderness. Intriguing and terrifying, these shadow-creatures are something between reavers and zombies. With just a hint of humanity, they appear when least expected. In this book, Armstrong throws in a delicious twist that makes us wonder how they evolved—or rather devolved. Fodder for another sequel? Please.
Armstrong’s clean, tight, present-tense narration propels this crime thriller through rock-strewn paths to the big reveal. With a town like Rockton, and so much more to learn about Casey Duncan and her partner, Eric Dalton, this series could go on indefinitely.
from the Ottawa Review of Books, March 2019
by Wendy Hawkin | Feb 2, 2019 | Book Review, Canadian writers, Ireland
In the prologue of this historical novel, Anne Emery reveals that the title is derived from a Latin phrase inscribed on the Four Courts in Dublin, fiat justitia ruat caelum. Transcribed in English it means “let justice be done though the heavens fall.” It’s a fitting title for a book starring a Catholic priest and a lawyer, both who are consumed by righting wrongs in Northern Ireland.
This book is set in Belfast 1995. Though the IRA has called a ceasefire, it’s still an uneasy time. Centuries of violence and hatred have left a legacy of vengeance that is unforgettable, and for some, unforgivable. Everyone has been affected in some way; most have lost family members, through death and imprisonment. It is a difficult conversation and I applaud Anne Emery for her courage. This could not have been an easy book to research and to write, and is, at times, not easy to read.
Much of the story is based on historical events, and be forewarned: the tale is told by Republican characters from a Republican point-of-view. Though we sometimes hear that horrible crimes were committed by both sides, most events depicted were perpetrated by Orangemen—Protestants loyal to Britain who wanted to keep their border (their wall) and a divided Ireland. The brutal beatings in Loyalist prisons. The Catholic Republican martyrs who died in Kesh while enduring hunger strikes to make their point. These were Nationalists who wanted the British out of Ireland, the border gone, and a free self-determining Republic that included the entire island, all thirty-two counties.
This is a timely book release, given the looming threat imposed by Brexit. If the right deal is not struck between the EU and Britain by the March 29 deadline, the physical partition between north and south, that fell after the Good Friday Peace Agreement in 1998, could rise again with British troops and all the anguish that divides a people.
It is this highly charged emotional backdrop that fuels the question: can justice be done?
The two main characters in this story are both determined to right past wrongs and see justice done. This book is part of a series, the Collins-Burke Mysteries and is actually Book Ten. Having not read any of the others—which are set in Nova Scotia where Collins and Burke live—I read it as a stand-alone. The characters are developed well enough, and we see them working away from home, navigating a hostile environment.
While working in Belfast on a farm equipment case, Monty Collins gets caught up in trying to solve the 1992 murder of a Republican, which has left the man’s family destitute. Because his death has been deemed an accident—Eamon Flannigan was drunk and fell off a bridge so the story goes—his family can claim no financial compensation. Out of the goodness of his heart and his pocketbook, Monty becomes obsessed with finding out what really happened out there on the bridge that night. If he can pin Flannigan’s murder on someone, he can, at least, save this family from financial ruin. The same night near the same bridge, an IRA gunman was executed by an Ulster man.
Meanwhile, Father Brennan Burke is living with his cousin Ronan’s family in Andersontown, a Republican community southwest of Belfast. Ronan Burke is a leading man in the IRA—the man his supporters would hail as Taoiseach (Prime Minister) if ever they had the chance to create a new, peaceful Ireland. He’s tough and he’s loved. He’s also a prime target who travels with bodyguards, and the ghosts of his past, and his son’s, arise to haunt him. Ronan is investigating an unsolved bombing from 1974 that killed many civilians—one of whom was Father Burke’s best mate. The suspects are all dead but one—a man who’s just returned to Belfast, and the Burkes are intent on bringing him to justice.
Emery’s writing is impeccable, sophisticated and polished; the accents subtle enough to set the reader in Belfast without sounding staged or overdone. Though politically complex, Emery has a way of making this war accessible, even understandable. The gritty details are difficult to read. She sets us down in the thick of it, with all the graffiti, the ruins, the prison beatings, and massacres. At times, you can almost smell the smoke of the bombs, feel the despair, taste the blood. And in the end, when the heavens fall and come crashing down around Father Brennan, his realizations link all the puzzle pieces together. For at the heart of this book is a political murder mystery rife with red herrings.
As reviewed in the Ottawa Review of Books, February 2019
The Four Courts, Dublin, courtesy of libraryireland.com
by Wendy Hawkin | Dec 3, 2018 | Book Review, Canadian writers
Vicious bikers. The Irish mob. A family of squatters. A clever police detective. Death Count 26.
Some landscapes summon evil and once there, it lingers. Ragged Lake was a German POW camp during World War II, and then a mill town owned by O’Hearn Forest Products. Now, in its death throws, it’s transformed into something you don’t ever want to encounter, except perhaps in fiction.
Ron Corbett is a rare breed: journalist and poet. His detailed knowledge of war, of crime, of people and their nightmarish capabilities, fuses with a talent for sensory language and visceral description to lift the story off the page. Like a shotgun blast. This is a crime novel and something else—a genre called “rural noir”—a black day in the country and no picnic. Corbett writes in omniscient third-person mixing viewpoints to create a fast-paced, plot-driven, page-turner. The characters don’t change—there’s no time for that.
It begins with a triple murder. Special Forces soldier Guillaume Roy, his woman, Lucy Whiteduck, and their little girl, Cassandra, are murdered in the ramshackle cabin they built on the shore of Ragged Lake. They are squatters on O’Hearn land and keep to themselves as much as possible. Much of the backstory is revealed through the journal Lucy leaves with an old Cree woman three days before her murder: her not-so-idyllic childhood living in the Five Mile lumber camp run by O’Hearn, where her Cree father was foreman; her intimate connections with the Irish mob from Corktown; her therapy sessions; her relationship with Roy, and their escape into the wilderness. There, by the shore of Ragged Lake, for a moment, Lucy experiences peace: “Love. Work. Family. The fine high rise of that. Those were our days.”
Burley police detective, Frank Yakabuski comes to investigate the murders with two young Ident officers. Yakabuski discovers that the Popeyes are operating a giant methamphetamine lab in the defunct survival school. He figures the squatters found the lab and were executed by the bikers. Perhaps. But that, as the cliché goes, is only the tip of the exploding iceberg.
Ottawa author, Ron Corbett says: “If you’re a writer, whether fiction or non-fiction, unless you’re writing about a place that you’re familiar with and that’s important to you, I don’t know why you’re doing it.” Corbett has spent his life travelling and writing about the Ottawa Valley and Algonquin Highlands. Because he’s created a “fictionalized Northern Divide” all the time I was reading, I kept wondering where I was. Now I know. Ragged Lake lies on the southern border of Algonquin Park—one of my favourite places in the world. In 2000, Corbett camped there and wrote a newspaper feature based on his experiences. The author is most known for The Last Guide, his autobiography of Frank Kuiack, Algonquin Park’s last remaining fishing guide. In Ragged Lake, Corbett takes his experiences as a journalist and spins them into fiction.
photo from http://algonquinadventures.com
Corbett is also well acquainted with war stories, having written First Soldiers Downabout Canada’s deployment to Afghanistan. Both Detective Yakabuski and Special Ops Guillaume Roy bear the grisly scars of war and military training. Sometimes it’s hard to read. Roy’s experience in Bosnia, for example, is almost too real.
Toronto publisher, ECW, uses the acronym “Extreme Cutting-Edge Writing” and that’s what you’ll find here. Grisly, raw, evocative fiction based on experience and a sense of place…and what a place.
As reviewed in the Ottawa Review of Books, December 2018
by Wendy Hawkin | Oct 22, 2018 | Canadian writers, journal
Owen Laukkanen. I was one of the lucky writers who managed to sneak into a “blue pencil” session with Owen because had a cancellation, and we had a brilliant conversation and a few laughs. But, Owen also told me what worked and where I could prolong the tension to create more suspense in the first chapter of my new novel. It was a first draft of a scene I’d written two days before so I’d have something to present for critique. Who better than a maritime thriller writer to comment on a B.C. lighthouse novel? And he bought a copy of my book!
For Owen’s take on the Surrey International Writers Conference, read So Surrey | Home | Project Nomad then sign up for next year’s conference because what he says is true. SiWC is truly “one of North America’s premiere writing conferences.”
by Wendy Hawkin | Jun 4, 2018 | Book Review, Canadian writers
It’s always a gift to pick up a book you’ve never heard of—one that’s not on the bestseller list or written by one of the big-name authors—and discover its beauty. That’s what I experienced with Hummingbird. This is a beautiful summer read. It will transport you to the bush and beyond.
You can read my full review on the Ottawa Review of Books.