Friday: Words from Faerie

Friday: Words from Faerie

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galwaysalbum.com


The Quays is one of my favourite bars in the whole world. Naturally, it’s in Ireland. If you ever find yourself wandering Shop Street in Galway, you must go in and explore.
Excerpts from To Charm a Killer. WL Hawkin
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Stepping through the portal of THE QUAYS was like plunging back through time. The pub was enormous and packed with people, all laughing and talking and drinking. It was nothing like she imagined: three floors joined by carved wooden staircases, gothic arches, and stained glass windows, even thick church pews, and over the enormous bar hung the steering wheel of a wooden sailing ship. Maggie, who had never been farther than Vancouver, stood momentarily stunned.
“They went to France, packed up a Seventeenth century church, and rebuilt it here,” explained Primrose. “Well, go on then. Have a wander.

Later, Maggie has her first real look at her fey friend’s tattoo when they sit down for a bite to eat.

Primrose whisked off her cap as they settled into one of the wooden snugs and Maggie was startled to see that her shaved head was tattooed in colourful swirling symbols. Seeing her fascination, Primrose bowed forward to reveal the heart of the design—an intricately patterned mandala etched on the top of her skull. Three violet trees with intertwining roots formed the centre, while their branches connected in a circular knot. Between the trees were coiled spirals in emerald green. Another circle of knots wrapped around the first and split near the base of her skull into two trails that merged at the top of her spine.
“That’s amazing. Does it go all the way down your back?”
“Aye, and ends in a serpent’s tail. St. Patrick did not rid Éireann of all the snakes. A few of us survived.”

The Conjoined by Jen Sookfong Lee

The Conjoined by Jen Sookfong Lee

unknown-2This is the story of two families conjoined by the social welfare system. It’s a quiet, heartfelt story that poses big, loud questions. Ginny Cheng is a hardworking woman who lives in Vancouver’s Chinatown and adores her daughters. Casey and Jamie Cheng are also conjoined…by family, by struggle, by experiences that shape their destiny. Enter Donna Campbell. Another hardworking woman; Donna longs to help all children. A foster mother, she bears the secret of her own conjoining.
The novel follows these two families for several decades, beginning in 2016, when the protagonist, Jessica Campbell, and her father are cleaning out the basement after Donna’s death. In the bottom of two freezers, they discover the bodies of Casey and Jamie Cheng. Jessica remembers when they lived in this house for a brief time as foster kids in the late 1980s before they ran away. Questions arise. Did Donna kill them? Why would Donna kill them? What brought the girls to this house in the first place? What is their story? 

The next morning, they came with almost nothing: just one small backpack between the two of them and even that was only half-full. It was just them, really, and their baggie no-name jeans. Donna’s house was full–bulk bin oats; piles of books; unsorted laundry, both dirty and clean–and they slid in, cutting through the air, their girl bodies like slivers.
Jessica was ten, and Jamie and Casey were thirteen and fourteen, the kind of girls who stood at angles, their elbows and knees and shoulders just points on thin, thin, bodies. They were beautiful, the two of them, but it was Casey, the older one, who had the eyes that were long and still, whose face was shaped as if it had been drawn with a fine-nibbed pen. Jamie was cute, but Casey made Jessica want to run away and hide under a quilt, ashamed by her huge curly hair, her ungainly height. If I could, she thought, I would peel that face right off her and press it down over mine.

unknown-1There are things I really like about this novel. Jen Sookfong Lee is a creative writing teacher at Simon Fraser University and UBC, and her expertise appears in sensually-crafted passages.
I met Jen at one of her memoir-writing workshops, and later sat down with her for a critique of my own work. She is bright, spunky, honest, and real. Her experiences growing up in East Vancouver glow like a watermark in this book. We see Vancouver through the decades–the sea-scarred cliffs of Lions Bay in the 1950s, Chinatown and suburban Vancouver in the 1980s, the granite-countered condos of 2016–and we see the innards of the families who live and work there.
Jen’s characters are real folks with real lives who suffer, swear, and sweat. Her men seem peripheral; agents of doom. Her women strong. I am drawn to Donna, the earth mother who tries so hard to nurture and sustain life; who pickles, preserves, grows her own food, and stocks her shelves like a health food store. Perhaps, I relate to 1980s Donna. And, I empathize with Ginny Cheng who loses her children despite her best efforts at being at good mom. Jessica Campbell, I applaud and admire. Her love affair with truth and liberation rings true. For in the end, it is the freedom to experience all that life offers, that we desire above all else.

No one had thought about the first breaths of transformation or the possibilities within windowless dens for chrysalis and birth and progress. Jessica clasped her hands over her stomach and held them tightly. If she let go, she might break into a mad, happy dance.

 

Kelley Armstrong & The Ottawa Review of Books: Do you Read Canadian?

Kelley Armstrong & The Ottawa Review of Books: Do you Read Canadian?

If you’ve never read Canadian, this is the place to start your search for a brilliant book. The Ottawa Review of Books is a monthly publication that publishes reviews of Canadian authors. If you’re a reviewer, here’s a place to send your best reviews.

This website is dedicated to posting reviews on the best in established and emerging Canadian fiction writers. We welcome new submissions of reviews of recently published works of fiction by Canadian writers living in Canada and abroad, and non-Canadian writers living in Canada. Reviewers do not need to be Canadians or living in Canada. Reviews may be copy-edited for grammar, spelling and style.
Submissions can be e-mailed to: ottawareviewbooks@gmail.com
Publishers are welcome to enquire about requesting pre- and post-publication reviews of new releases.

 

twitterAn amazing Canadian author, I reviewed this month is Kelley Armstrong.

You can read my review of City of the Lost here.

 
 

City of the Lost appeared in paperback in January, and the sequel launches this week.

It’s called A Darkness Absolute, and I can’t wait to read it!

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Waiting for Norse Mythology

Waiting for Norse Mythology

Are you waiting to read Neil Gaiman’s latest book: Norse Mythology? I am.
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As Gaiman wrestled with these stories, he says, he had no idea he was writing a topical book. But then, as political events unfolded in the second half of 2016, he could not help but draw parallels. “For me, it was Ragnarök,” he says, referring to the apocalyptic end of the gods. It begins with a long winter, continues with earthquakes and flooding, and then the sky splits apart.
The view that Brexit and the election of President Trump have brought about chaos and even a sense of impending doom is widely held, but Gaiman’s version of it is particularly eloquent. “I remember the 80s and the nuclear clock and the cold war and Russia and America and [thinking] ‘I hope you guys don’t press buttons and it would be very nice to not live in the shadow of everything ending’,” he says. “But at least at that point, what you were scared of was just one action. Now one is scared of the accretion of a million actions and a million inactions.”
He says there is “a strange kind of magical thinking” afoot and tells me about waking up the morning after Brexit in a hotel in Scotland and checking the result, then having “that sort of moment at the end of Planet of the Apes where Charlton Heston sees the Statue of Liberty … I was going, ‘Oh, no. Are you really … ’

via Neil Gaiman: ‘I like being British. Even when I’m ashamed, I’m fascinated’ | Books | The Guardian