Cherie Dimaline never fails to enchant and VenCo is the start of something spicy, warm, and wicked. At least, I hope so. The prologue features three bad-ass hipsters collectively known as the Oracle—the Maiden (a Tender), Mother (a Watcher), and Crone (a Booker)—who reveal the stakes and premise. A sixth witch must be found and once she is, she’ll have seventeen days to find the seventh witch and complete the circle. In case you missed it, VenCo is a play on Coven. “She better be some kind of living-at-Hogwarts, spell-work-in-her-sleep legacy witch,” says the Maiden.
What sets Dimaline’s work apart is her original and impeccable writing style, which is both literary and lyrical, casual and raw, as befits the characters and situation. Vivid descriptions of urban grit pepper the pages, along with references to pop culture, and symbols such as little yellow witchy birds. In this magic carpet ride of a romp, we fly to various locations: Toronto, Salem, the California desert, and New Orleans. Chapter headings are casual, detailed, and comic. For example: “A Complete F* 180 over General Tso Chicken and Shitty Rice.”
I feel like the first half of this book offers a crucial backstory to a series and world-building as Dimaline introduces the members of VenCo, and we hear their individual tales. Circles within circles, stories within a story. We begin with protagonist Lucky St. James and her charming, dementia-prone grandmother, Stella Sampson. After her Métis mother dies a drunk, they are about to be evicted from their grotty home in East End Toronto when Lucky finds a key to a hidden basement room in her wet laundry. When she unlocks the door, she discovers a dirty, rocky, tunnel, and inside it, a tiny silver spoon engraved with a Halloween witch and the word SALEM. Lucky is the sixth witch. The other five: Meena Good and her Anishinabe partner Wendy; blond, gender-queer Freya; artist and rare-book collector Morticia from New York; and Louisiana Creole woman Letitia and her son, also joined the coven via enchanted spoons. Freya offers Lucky a writing job at VenCo and with nothing to lose, Lucky and Stella drive to Salem where they join the others whose personal tales are embedded within the larger narrative.
Jay Christos (obvious play there) is the smarmy antagonist taxed with stopping the coven from forming and keeping the Patriarchy in place. This immortal, bisexual, misogynist, Benandanti (witch hunter/killer) hunts at night through streets and dreams, and has mesmerizing skills of his own. Once he starts to move on Lucky, things heat up. This is a feminist kind of book; at least the job of VenCo is to “Hex the Patriarchy” of whom JC is the kingpin. This matriarchal coven has much work to do, enough to fill several more novels. With shades of Thomas King and Eden Robinson, this book will delight and enchant with its quirky, irresistible characters.
A member of the Georgian Bay Historic Métis Community, Dimaline is an Indigenous Canadian writer. Her YA book, The Marrow Thieves, won the Governor General’s Literary Award in 2017, was named Book of the Year by CBC, Quill & Quire, the NY Public Library, and was selected by Time magazine as one of the top 100 YA reads of all time. She followed it with the disturbing sequel, Hunting by Stars. Her stand-alone novel Empire of Wild was Indigo’s #1 Best Book of the Year and was featured in the New Yorker and the New York Times. Without giving too much away, “f* you” is the last phrase in VenCo. That takes courage and a certain amount of bravado.
Creating this book list was much harder than it looks. First, I had to choose books that had a similar bent to my own book, To Charm a Killer. Then I had to craft a short review to introduce each story in the light of the overarching theme. It had been so long since I’d read Interview with the Vampire, I bought the paperback and reread it. I was surprised at the depth of character, the broodiness of Louie, and the madness of Lestat.
One of my favorite reviewers writes this of To Render a Raven:
“I think the true draw of this novel for me, and this is probably true of the whole series, now that I think about it, is the intricate psychology of the characters, who are complex, nuanced, sympathetic, and occasionally, deeply irritating— a sign of just how invested I’ve become, and how well drawn their inner lives, as well as outer adventures, really are. Highly recommended read.”
To Charm a Killer started it all. As I complete the draft of Book 5, my mind drifts back to everything that’s come before, Estrada’s complex psychological journey, his desires, his loves and losses, and how he’s changed over two years of his fictional life—something that’s impacted several years of my life and continues to inspire me.
Finally, I recommend Shepherd.com as it’s a very cool, professionally vetted site. You can search for comp lists on all kinds of topics. For example, if you’re looking for adult fiction featuring witches, try this. If you’re an author, contact them to find out how to create your own list.
Many authors are offering trailers of their books these days. It’s an entertaining way to introduce readers to your story in less than sixty seconds, using just a few key images, select quotations, and music. But how do you do it? There are a couple of ways to go about it. One, pay someone who knows what they’re doing. Two, take a risk and create your own. It’s actually not that difficult.
If you decide to make your own trailer, there’s a techie part and an artistic part. I read a couple of articles (here’s one) that explained how to create slides in Canva Pro, animate them, and add text. Creating the slides is the artistic part. Use your book blurb; you know that little piece you sweated over that went on the back cover? You have to search through tons of images to find the ones that grab you. I was stoked to find images that really portrayed my key characters. I honestly think the gods were with me that day.
Once I had the slides created, I dropped them into I-Movie. After that, all you need is a cinematic soundtrack and you’re off. Be sure to use royalty-free music and not just some song that you really like. Youtube has lots of royalty-free music that can be used commercially. This music is “Claim of Thrones.”
I penciled a storyboard and worked a few hours creating the slides. The hardest part was capturing the theme and key points that really described the story. After that the whole thing magically came together with the soundtrack. Here it is. What do you think?
Once upon a time in a house deep in the woods of Northern BC, a strong, thoughtful woman invited all her family and friends to Thanksgiving dinner—her parents and in-laws, convict brother-in-law, divorcing neighbours, and her two children: ten-year-old Tommy and his teenage sister, Charlotte. There were twelve in all, as one couple didn’t appear; at least, not in their human forms. It wasn’t quite “The Last Supper” but close.
Wolf at the Door is a kick-ass tour de force, a brilliantly plotted and masterfully written debut novella that will keep you sitting up in bed with your eyes and ears wide open long after its done. You may never venture out in the dark again.
This enchanting 125-page-story is told in six parts: Before Dinner, Cocktails, The Dinner, Dessert, Second Helpings, and A Late Night Snack. McKay treads the fantasy/horror trail but his psychological deep-dive into the characters of these people-next-door is what impresses most. When I taught English we often gave out an assignment: create a dinner party with several characters. Explain who and why and what transpires during the dinner. In a shorter story, an author must be concise and discriminatory with psychological details, and as I read the carefully selected backstories, personalities, and foibles of Char’s dinner guests, this came to mind.
How will Char and her husband Doug save their family and friends from being the main course for a couple of vicious werewolves equipped with mythic speed, superstrength, razor teeth and claws, and a hinged jaw that opens wide enough to take in Grandma’s whole head? Even the quintessential minivan can’t stand up to this brutality. “The monster’s arms broke through the window next to Owen like a knife through an eggshell. The glass shattered inward, scattering across the seats and floor in tiny square little chunks. Char tried to reach for Owen, but the seat belt locked and held her back” (104). I’ll stop there in case werewolf horror isn’t to your taste.
Joel McKay is a superhero in a suit. Trained as a journalist, McKay made Prince George his home a decade ago when he joined the Northern Development Initiative Trust. He’s now CEO. The Trust works with First Nations, local governments, and businesses to invest in Northern economic development. By day, McKay distributes millions of dollars in grants to create a stronger BC but by night he turns his literary skills to the realm of Sci-Fi, fantasy, and horror. His short story, “Number Hunnerd” was recently published in Tyche Books’ anthology, Water: Selkies, Sirens and Sea Monsters. I honestly cannot wait to read his first novel.
Wolf at the Door is a TV show waiting to happen. McKay’s sensory writing, keen dialogue, relatable characters, and perfect plotting creates a screenwriter’s dream. But don’t wait for that. Read it today, preferably in the daylight hours.
