This terrifying twisted tale, set at a fancy boarding school in Virginia, USA, will keep you reading until the bitter end. Why? Because, well, you just have to know what’s really going on. Are these macabre monsters real? And if so, how will they be contained?
CG Drews has a talent for creating gruesome Young Adult stories. After reading Hazelthorn (2025) I was left wanting, so dug into this one (2024). The writing isn’t quite as lyrical but it’s still a strange, melancholy love song wrapped up in vines, thorns, flowers, blood, ink, and assorted greenery that invades the bodies of her adolescent victim. Drews must be a gardener or the child of one.
Andrew is a fragile, sensitive boy who writes dark fairy tales. Thomas—the wild, fierce boy Andrew loves—draws vile monsters, the creatures from Andrew’s stories. Dove, a studious young woman with her whole life mapped out, is Andrew’s twin sister. These three have been inseparable since Dove and Andrew arrived from Australia when they were twelve to study at Wickwood Academy. But this year, their graduating year, things are different.
Dove is keeping her distance. She’s preparing for a world beyond Wickwood, while Andrew seems to be fading into the forest. Feeling stuffed full of moss, he can’t eat. Thomas’s abusive parents were brutally murdered and everyone whispers that he killed them. When the boys venture into the off-bounds wild wood, they discover monsters everywhere—monsters created in Andrew’s imagination and brought to life by Thomas’ drawings. Feeling responsible, they take it upon themselves to keep the secret, destroy Thomas’s sketches, and kill the monsters. They must keep them from getting into the school.
Even as I turn the last page I’m left wondering. What really happened? The thing is: we see the story through Andrew’s eyes and he’s an unreliable narrator struggling with first love and his identity. Though he’s in love with Thomas, Andrew thinks he might be asexual. Yet he yearns for his first kiss. From Thomas. Only Thomas. And as the story progresses, Andrew hears other things from other people—things he doesn’t want to hear from people who don’t believe in the monsters, compassionate adults who want to send him home to recover.
It’s complex, twisted, and tragic. Note that the book comes with content warnings: “blood/gore, body horror, panic attacks, grief, eating disorder, bullying, and self-harm.”
The book itself—I read the hardcover— is an artistic creation with an entire page of editors and creative designers behind it, and obviously buckets of money. I love this trend to create pretty keepsake books. Full page sketches of Thomas’ monsters inspire chills. Yet the fairytale that weaves through the book—pale text embedded on a dark grey page—is printed in a font so fine and fancy, these old eyes can’t read it. Perhaps I missed something there. Artsy, but ineffective. This is a good reminder to always choose a legible font. Note: It’s easier to read in a digital image than on paper.
Psychological horror. A twisted love story. A feast of friendship and fidelity.
“His breathing evened out, but he made no move to get up. Andrew didn’t care, not while they still touched. He craved Thomas’s affection, with an intensity that left him dizzy. If he never had more, he had this.
It was almost worth being ripped apart by monsters” (109).
Reader Beware: This fast-paced Young Adult novel contains several graphic, disturbing scenes of indescribable gore and violence. Actually, I shouldn’t say “indescribable” because it’s Sutherland’s sensory play-by-plays that push it over the edge into the HORROR realm, giving Stephen King a run for his money. Quill & Quire’s called him Canada’s answer to R.L. Stine. If the macabre is not to your taste you might want to give it a pass, but if you’re intrigued by Halloween horror, Stranger Things, and masterfully crafted suspense, read on.
This rapid-fire tale is as highly emotional as its teenage protagonists. Seventeen-year-old Joana, her thirteen-year-old brother Peter, and her troubled father are on the run—not from evil humans but from the voices that haunt their tortured father. The Whisperings.
“They whisper in my ear in the middle of the night as I sleep. They murmur, mumble, and mutter, often nothing more than a stream of indecipherable nonsense. Clear words sometimes jump out of the noise, like fish flying from the water, and sometimes the voices yell. But they all want, and need, and demand”(53).
Every time The Whisperings take hold, the Guests pack their car and drive off to find a new town. This nomadic existence started thirteen years ago when Joana’s mother was violently murdered in their family home. (Note: her horrific murder is described in vivid detail later in the story.) Now, they’ve arrived in the small town of Burlington, Vermont and rented the dank basement of a sprawling (and crawling) Victorian house from old Mrs. Cracknell. It’s a fixer-upper with reduced rent because Dad’s a handyman. It’s hard to keep a job when you’re constantly running from the voices in your head.
Known locally as “The Kill House”, it’s alive, not only with the spirits of a family torn asunder by a tragic murder-suicide, but with creepy insects that natter in the walls. “Ta-tump, ta-tump, ta-tump!” You see, Abraham Keil, the depraved murderer, was an entomologist at the local university. Centipedes and spiders lurk in these musty pages, and a Death Watch Beetle sings Joana into her closet, where she bashes in the wall and discovers the red room. Use your imagination.
If that’s not enough, there’s a creepy little beetle dead-centre every time we break scenes that makes me jump even though I know it’s coming.
When Joana tumbles from a red rock cliff, narrowly escaping with her life, she awakens in hospital with the ability to see ghosts herself. The Whisperings have somehow been transferred to her via a concussion. Woven through the story is a B-plot love story that offers some relief from the nail-biting suspense. Joana meets Willem, a quirky, bookish boy who works at the local diner and christens her, Pumpkin Spice on account of her first latte. How sweet. Will they both survive the hauntings?
Joana’s been on the run since she was four years old and wants nothing more than to put down roots in Burlington, an old-timey village that feels like home to her. She loves to run, and this talent earns her a place on the school rugby team. Things seem to be working out, what with rugby and Willem, until they’re not.
Canadian author Joel A. Sutherland is the award-winning author of Scholastic Canada’s Haunted Canada series (now a graphic novel in development for television). This “master of the macabre” lives in Ontario with his family, but sets his books south of the border in Vermont. His novel, Summer’s End, was a Red Maple Award Honour Book. The Whisperings follows his debut YA novel, House of Ash and Bone, a novel of ghosts and witches, also set in Vermont. He received a Masters of Information and Library Studies from Aberystwyth University in Wales.
In the Afterword, Sutherland explains that horror stories “teach us how to defeat the thing hiding under our bed, the monster lurking in our closet, or the voices only we can hear. They give us the tools we need to face our fears. They remind us that we’re not alone; when the lights go out, we all get a little scared. But in the morning, the sun always rises” (289). Well, maybe not for ALL the characters in this book. If you’re craving frenzied goosebumps, this may be the book for you.
Many authors are offering trailers of their books these days. It’s an entertaining way to introduce readers to your story in less than sixty seconds, using just a few key images, select quotations, and music. But how do you do it? There are a couple of ways to go about it. One, pay someone who knows what they’re doing. Two, take a risk and create your own. It’s actually not that difficult.
If you decide to make your own trailer, there’s a techie part and an artistic part. I read a couple of articles (here’s one) that explained how to create slides in Canva Pro, animate them, and add text. Creating the slides is the artistic part. Use your book blurb; you know that little piece you sweated over that went on the back cover? You have to search through tons of images to find the ones that grab you. I was stoked to find images that really portrayed my key characters. I honestly think the gods were with me that day.
Once I had the slides created, I dropped them into I-Movie. After that, all you need is a cinematic soundtrack and you’re off. Be sure to use royalty-free music and not just some song that you really like. Youtube has lots of royalty-free music that can be used commercially. This music is “Claim of Thrones.”
I penciled a storyboard and worked a few hours creating the slides. The hardest part was capturing the theme and key points that really described the story. After that the whole thing magically came together with the soundtrack. Here it is. What do you think?
Once upon a time in a house deep in the woods of Northern BC, a strong, thoughtful woman invited all her family and friends to Thanksgiving dinner—her parents and in-laws, convict brother-in-law, divorcing neighbours, and her two children: ten-year-old Tommy and his teenage sister, Charlotte. There were twelve in all, as one couple didn’t appear; at least, not in their human forms. It wasn’t quite “The Last Supper” but close.
Wolf at the Door is a kick-ass tour de force, a brilliantly plotted and masterfully written debut novella that will keep you sitting up in bed with your eyes and ears wide open long after its done. You may never venture out in the dark again.
This enchanting 125-page-story is told in six parts: Before Dinner, Cocktails, The Dinner, Dessert, Second Helpings, and A Late Night Snack. McKay treads the fantasy/horror trail but his psychological deep-dive into the characters of these people-next-door is what impresses most. When I taught English we often gave out an assignment: create a dinner party with several characters. Explain who and why and what transpires during the dinner. In a shorter story, an author must be concise and discriminatory with psychological details, and as I read the carefully selected backstories, personalities, and foibles of Char’s dinner guests, this came to mind.
How will Char and her husband Doug save their family and friends from being the main course for a couple of vicious werewolves equipped with mythic speed, superstrength, razor teeth and claws, and a hinged jaw that opens wide enough to take in Grandma’s whole head? Even the quintessential minivan can’t stand up to this brutality. “The monster’s arms broke through the window next to Owen like a knife through an eggshell. The glass shattered inward, scattering across the seats and floor in tiny square little chunks. Char tried to reach for Owen, but the seat belt locked and held her back” (104). I’ll stop there in case werewolf horror isn’t to your taste.
Joel McKay is a superhero in a suit. Trained as a journalist, McKay made Prince George his home a decade ago when he joined the Northern Development Initiative Trust. He’s now CEO. The Trust works with First Nations, local governments, and businesses to invest in Northern economic development. By day, McKay distributes millions of dollars in grants to create a stronger BC but by night he turns his literary skills to the realm of Sci-Fi, fantasy, and horror. His short story, “Number Hunnerd” was recently published in Tyche Books’ anthology, Water: Selkies, Sirens and Sea Monsters. I honestly cannot wait to read his first novel.
Wolf at the Door is a TV show waiting to happen. McKay’s sensory writing, keen dialogue, relatable characters, and perfect plotting creates a screenwriter’s dream. But don’t wait for that. Read it today, preferably in the daylight hours.
