Please no. This might well be my favourite Dr. Ruth Galloway mystery. Book number fifteen in a succession that spans twenty years of the characters’ lives, also reads as if it may be the last. The way things land between Dr. Ruth and DCI Nelson both romantically and professionally, leads them on a new trajectory and Griffiths confirms, it is the last book “for now.” I can’t imagine what it’s like for her to say goodbye to these characters.
When the last remains of Emily Pickering, a young Cambridge archaeology student who disappeared in 2002, are discovered walled up in a café, Ruth is called in to investigate. She gets involved, though she’s busy at UNN, her own university, as the archaeology department for which she is the head is about to be closed down. Naturally DCI Nelson is involved as well as the charming DCI Clough, as it’s happened on his patch. Then our old friend, Cathbad, who nearly died in book fourteen and is suffering from long Covid disappears, leaving everyone devastated. The usual players are involved, along with Ruth’s new sister Zoe, and there’s even an unexpected and timely cameo by an old victim.
Ruth and Nelson struggle with the intricacies of their longtime relationship, given that it’s coming around to Father’s Day and he has two families: the first who seem to take precedence and the second, Ruth and their daughter Kate, who get Nelson time when he’s willing and able. I found myself wanting to bat them both upside the head a few times. Nelson can be thoughtless and Ruth indifferent. The combination leads to romantic stasis, which is why old David, her colleague at UNN archaeology thinks he has a shot.
I think what really draws me to this series besides the archaeological and mythological references are the small towns and cities in the north and east of England, some of which I’d like to visit because of Griffiths’s descriptions. Norfolk, where Ruth lives on the Saltmarsh and King’s Lynn which looks particularly charming, Lincoln and Durham; as well as Blackpool, a northwest coast town billed the UK’s favourite playground. Grimes Graves, a Neolithic flint mine is a creepy setting in this story. I’ll take a pass on climbing down one of those shafts, even though Griffiths’s made the decent herself.
One day, I’d like to begin at the beginning and reread the whole series in order. Why hasn’t this series been picked up for TV yet? Don’t you think it’s about time?
If you’re a fan of British cozy mystery author Elly Griffiths, you’ll know that she’s been writing one Ruth Galloway archaeological mystery each year for over a decade. This is book fourteen. When the pandemic hit, she had to make a decision. Do I set this story in the current reality or not? It’s a decision many authors faced and will continue to face as we move through history. As no-nonsense as Ruth, Griffiths decided to not only to set it during the pandemic but to make it a kind of homage to plagues and isolation. I admit that I found bits triggering at times as I followed the characters through the horror and hassle of the opening weeks of the plague in Britain, February 2020.
Ten-year-old Kate is home, bored, doing school online. Nelson’s wife and young son are away looking after her mother. There are pandemic references: the evening clanging cheer to front-line workers, masking or not, grocery cues, empty shelves and the stocking of staples including toilet paper, lockdown laws, social distancing, two-metre walks out-of-doors, office staff on rotation and working from home, learning to Zoom, teaching from home, loved ones taken away to hospital and the grief of those quarantined and left behind who are not permitted to visit, references to plagues past, and the feeling of never being able to escape the fear and isolation it conjures.
Griffith’s strength is her ability to weave in these facts in a kind of matter-of-fact way, so they never overpower the mystery, which concerns healthy women who appear to be suddenly committing suicide. One woman is even found in her bedroom with the door locked from the outside.
Griffiths’ books are always gently packed with tidbits and meaningful symbols. The title signifies, not only the isolation of plagues in general, but how our “killer” operates, locking victims in total darkness. As is always the case, Nelson and Ruth end up tangled in dangerous climatic scenes of discovery.
Nelson, who’s living alone while his wife’s away, comes calling on Ruth until his grown daughter arrives home, needs her daddy, and he goes running off. That’s Nelson, protector of all and burly man of guilt. Ruth takes it all in her stride, even the discovery of her mother’s lifelong secret—a secret that will come to affect her present moment in a big way.
One thing that bothered me: I came away not understanding the killer’s motivation. He had the means and opportunity but the motive seemed lacking. Perhaps I missed something.
One thing I loved: the “Who’s Who” character pages at the end of the book. My favourite character is Cathbad and, true to form, the druid shaman embraces the pandemic by offering Zoom yoga classes every morning to his children and friends.
Don’t let the pandemic setting deter you. Just be aware that if you start fretting about going out in public, you’re likely triggered. We live in a different time now and this too shall pass.
Can you believe it? I found this book sitting on the very end of the free shelf at my local library this morning. I’d checked it out and returned it last week, which means, that I was the last person to read it. How do libraries decide what ends up in the slush pile? I don’t understand. I mean, this series is amazing. Blue’s story is the focus of book three–this book. I actually finished The Raven King, which is book four, and realized I’d forgotten to write anything about this book. So, it’s come back to me. You see how that works? It’s not that I don’t have anything to say about it; in fact, I was so tucked into the characters, I didn’t really realize what was happening plot-wise. Urban fantasy doesn’t really work like that. It’s more about characters and emotions. And these characters are some of the best characters you’ll ever meet. So, what do I remember about Blue Lily, Lily Blue?
-the illicit love between Blue and Gansey. Illicit only because Blue kind of had a hand-holding thing with Adam to begin with and, Gansey and Adam are best friends, and well, there’s a social rule being broken
-her funky home with her psychic mother and aunts
-something tasty evolving between Ronan and Adam
-a ton of angst occurring at Gansey’s political mansion in Washington, DC. This is not the best space for trailer-park-son-of-an-abusive-father Adam. Or maybe it is.
-the elusive Cabeswater . . . What the hell is it, anyway? And when they finally get there, will Gansey find his Immortal Welsh King? And why a Welsh King? Is this the orphaned child of a real mythological legend? Damn. I wish I’d thought of this.
-details of Gansey’s horrific hornet experience. Have you ever been bitten by vicious meat-eating hornets with giant stingers and long, wispy legs? I have. When I was seven or eight, I climbed into my father’s old black pick-up truck. We started rumbling down the road. The hornets had build a nest under the bench seat on my side. Before we hit Dixie and Finch, they flew up my pant legs. I went so ballistic, my father pulled over, dragged me out of the truck, and ripped off my pants. I was horrifically embarrassed—I mean, there I was standing on the side of the road in my white cotton undies in front of my father. Now, I think, how did he have the presence of mind to do that? I mean . . . child-eating hornets? Did he get stung?
-something horrible happening at 300 Fox Way which I will not divulge
-some nasty-pants villains developing, of course.
Do I recommend this series? Yes. In fact, it’s in my Amazon Wishlist. Just sayin’. There may come a day when I pass this hardcover on to a little library somewhere in the world. Oh Maggie, what have you done?
If you’re unfamiliar with JP McLean’s award-winning supernatural crime novels, you should investigate her Dark Dreams series from the beginning. The first two books, Blood Mark and Ghost Mark, are narrated by a gnarly and lovable trio: Jane Walker, protagonist, dreamer, and bearer of magical marks; Jane’s boyfriend, Ethan Bryce, swaggering manager of the Riptide bar in Vancouver; and Jane’s loyal sidekick, former foster child, and high-class escort, Sadie Prescott. In Scorch Mark, the narration expands to include Sadie’s love interest, undercover Vancouver cop Dylan O’Brien.
In Blood Mark, we learn that the scarlet marks snaking around Jane’s body were gifted to her in an ancient Incan ritual to protect her from death. Now, McLean reveals that anyone who tries to kill Jane will end up dead themselves, and this threat has been proven true. Jane also suffers from lucid dreams in which she appears as a shadowy figure whose actions can affect history. In Ghost Mark, the blood marks transform, and she appears in her dreams dressed in whatever she wore when she fell asleep. Since she’s visible, you can imagine the problems this presents. Jane also discovers a vivid white “escape valve” on the back of her hand that rewinds a dream if she turns it counterclockwise and jumps her out of the dream if she moves it clockwise. The spectral marks remain in Scorch Mark, but in a clever stake-raising move, McLean introduces a villainous group of cowboy thugs who intend to use the marks for their own evil purposes. She also reveals much more about the old Peruvian families, the old silver offering bowl, and the Incan ritual itself.
McLean deftly intertwines three plots in Scorch Mark. In one, the psychologist who abducted Jane in Blood Mark goes on trial, and we await the verdict with bated breath. Will the defence attorneys create enough reasonable doubt for the jury to allow him and his accomplice to go free? And how will the attorneys twist Jane’s story? As is typical of courtroom drama, it’s a fist-squeezing, jaw-grinding experience for the reader. Meanwhile, Detective Dylan O’Brien is investigating “ghost guns” — a shipment of illegal firearms that have been produced using a three-D printer, and Jane is dreaming about the evil producers. Interspersed are Jane’s dangerous dreams, where she must act as a witness without being caught by the villains who are changing history. Tension anyone?
Wickedly clever, original, suspenseful, and action-packed, McLean’s impeccable writing and razor-sharp plotting will draw you in and keep you riveted. Scorch Mark is glamour and grit, spliced with a magical sense of the macabre, and wildly Canadian. Detailed, descriptive scenes of the Vancouver Law Courts will have you sitting tensely beside Jane as she watches her attacker from the gallery through thick, bulletproof glass. Then it’s a race across the country to a 12,000-acre Alberta ranch and a massive criminal takedown.
JP McLean is a bestselling author of urban fantasy and supernatural thrillers. She’s been the recipient of numerous honours for the Dark Dreams series and her six-book Gift Legacy series. Among them are a Global Book Award, CIBA and Page Turner Award, the National Indie Excellence Awards, the UK Wishing Shelf Book Awards, and the Whistler independent Book Awards.
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