I am a huge Elly Griffiths fan. I’ve read all of the Ruth Galloway Mysteries over the years and enjoyed them immensely. I feel like I know the characters and the archaeology is a bonus as Griffiths does such extensive research into the past. That’s why I picked up this book.
To begin with, whoever formatted this book called it “A Ruth Galloway Mystery” on the inside title page. It’s not. That made me feel tricked. I think HarperCollins could have done a better job of proofing. I’m not sure if it’s part of “The Brighton Mysteries” or something entirely its own. There are a trio of characters who work together as a team of sleuths though only two of them formed the K and F agency because of a) their last names which I honestly can’t remember and b) F and K looked too much like F*K (cute little joke that one.)
Right from the beginning, there are two many names. Our three key sleuths (84-year-old Edwin, the gorgeous Ukrainian Natalka, and her boyfriend and former monk, Benedict.) Then there’s Natalka’s mother who lives with them and her brother who’s gone off to fight in the Ukraine. After that, it became such a jumble I could barely keep up. Also, there is a detective, Harbinder, who seems way too friendly with Natalka.
I started by writing a list of five of their cases—all which have multiple names. It might help you to know that Edwin presents his own list on page 137 (if you can keep it together that long.) The interesting part for me, which may be of interest to you, is that most of the victims are either part of a book club or writers who attended a writing retreat (which Edwin and Benedict attend to do some sleuthing.) I found the retreat particularly annoying. As a writer, I detest (that’s the word) being tasked with writing prompts like “If Only I Hadn’t . . . ” This one is significant to the story. Also, why would I ever want to go to a writing retreat and write with a strange partner. All they seem to do is socialize and eat and they have to prep meals. Yikes! Anyway, beyond the annoying retreat, I really lost interest trying to sort out all of these people who are names minus personalities as it’s the kind of book with no character-building. I stayed with it until the end when, wouldn’t you know, the list multiplies again when their parents start getting knocked off.
I hate giving poor reviews and I wanted to like this book but I’m feeling a little like using “vituperative” language at the moment. Yes, that word is used. Also, the actual motives for the murders seems a little far-fetched. I can’t tell you why as that would lead to spoilers and I hope you’ll give this book a chance. Just because it didn’t work for me doesn’t mean it won’t work for you. Just be prepared to draw sociograms on your bedroom walls. Sorry, Elly Griffiths, please write us another real Ruth Galloway Mystery.
How and why does a Cree become a “bad” Cree. Johns explains in this, her debut novel, but be forewarned. You’ll need to sit back and hold on because this story will catch you like a crow’s claw to the gut and drag you through the elements.
Bad Cree is the story of a beautiful family from northern Alberta and how they cope with life and death. It’s a story of grief, longing, love, and connection with moments so deep, dark, and visceral, one night I dream I’m trapped in a watery shed at the bottom of a black and frigid lake, and my only escape is to awaken. Can you imagine drowning in your sleep while you’re dreaming? Johns can. Still, there are other moments I feel embraced. Like I’m slipping into a soft, warm, vat of mac and cheese or enfolded into an auntie’s loving arms.
When we meet Mackenzie, she’s living in a small bachelor apartment in Vancouver and working at Whole Foods with her Two-Spirited friend, Joli. She’s been estranged from her family for years, since her kokum died. She couldn’t handle “the never-ending lonely that hung in the halls and in every corner” (76.) Then her big sister Sabrina died, and she was unable to go home for the funeral.
Now, she’s plagued by dreams where she appears dressed in whatever she happens to be wearing when she nods off. And she’s bringing things back. First, a spruce branch she’s ripped from a tree, and then a bloody crow’s head. Crows are following her through Vancouver alleys and beaches. Are they allies or enemies? She ignores all of these messages until she starts getting texts from her dead sister. “You know who this is. You’re not listening.” Does that give you chills? It’s only the beginning.
Just when things have reached their desperate peak, Auntie Verna calls and Mack confesses everything. “Am I a bad Cree?” Mack asks. “I think you need to come home” (80) Auntie replies. The two-thirds of the story that follow immerses us in Cree life and tradition in a home filled with aunts and uncles, love and laughter, vats of comfort food, crib and poker, an array of cousins, and of course, Mack’s mom and dad. They live in High Prairie, where Johns grew up. Here they live in relationship with the land and the ancestors, with their dreams and memories.
But what about Sabrina? On one level this is a mystery where Mackenzie, her sister Tracey, and her cousin Kassidy try everything imaginable to discover what happened to Sabrina. Be forewarned: There is a creature, a monster born of greed, and the climax reads like a Stephen King horror story.
Johns says this is a story of generational trauma and magic. Kokum (Mack’s grandmother) was stolen away to residential school, as was Mack’s mother and aunties. This healing from the violence inflicted on them is a burden foisted upon Indigenous families. But there’s also magic afoot here. Johns wants people to know that Indigenous People are more than just their trauma. And there are other big themes. References to the extractive industry and the devastation left behind from oil drilling create ecological grief.
Reading Bad Cree, I’m reminded of Métis-writer Cherie Dimaline’s Emperor of Wild, Maggie Stiefvater’s Dreamer Trilogy, and Eden Robinson’sTrickster Series. In fact, Johns attended Banff Centre in 2019 for a writing residency, where Robinson was one of the instructors. Robinson read an earlier version of Bad Cree (which began its life as a short story) and told Johns to “go deeper and go darker.” This, she has done. The text is stippled with Cree words that mean more than can be explained in simple English. It’s a story teens will devour and adults remember. Johns says she wrote it because there was nothing like this for her to read when she was younger. It’s brilliant—a riveting peek into Cree life and culture that rides the genres of horror and coming of age stories.
Jessica Johns is a queer Cree auntie from Sucker Creek First Nation in Treaty 8 territory in Northern Alberta. Bad Cree, her debut novel, was shortlisted for the Amazon First Novel Award, won the MacEwan Book of the Year award, and is on the 2024 CBC Canada Reads long list. It should have won more. Johns is a visual artist and published poet. She combines all her talents to create a lyrical voice that will pluck you from your easy chair and take you on a journey. Don’t make the mistake of calling it fantasy. It’s not.
The first paragraph is a warning I ignore just like our protagonist, Amy Whey, does when she opens the door to Roux. Perhaps because it starts off so innocently. A group of suburban women are meeting for their usual “Brain-Dead Mommies Book Club.” Twenty plus of them. The club is Char’s creation so she runs things until the night Angelica Roux shows up, sinks into Char’s leather winged chair and highjacks the club. The drinks are flowing, the women gulping and slurring. After all, this is their night away from husbands and kids. Bring on the G and T. Roux suggests they all introduce themselves since she’s new and, before you know it, they’re all figuring out their spirit animals.
Now that’s something I would have been sucked right into.
The dialogue gets raucous, the tone dangerous, and then Roux introduces the game. “It’s like Never Have I Ever, but for grown-ups.” All you have to do is confess the worst thing you’ve done. Except every round changes—today, last week, last month, last year. Ever. And suddenly Amy realizes Roux knows a secret from her past. A big dark secret. The kind that can blow your domestic life to smithereens. “I could feel it leaking into my bloodstream, spreading like a toxin through me.”
So there you have it, and that’s just the cliffhanger of chapter one.
This is domestic noir, a twisted psychological thriller that raises the stakes threat by threat, reveal by reveal. As an added bonus, Jackson draws an extended metaphor throughout. Amy teaches scuba diving and Jackson hurls us into the deep end of the ocean with just enough air to keep going. We find ourselves exploring wrecks, dredging the silty bottom, and keeping perfectly still as the sharks hover. It’s grim. It’s dark. It involves every kind of domestic issue you can imagine: cheating and betrayal, child abuse, rape, kidnapping, drugs and alcohol, manslaughter. Murder.
In my last book review, I mentioned Atlantis Books. Since we were staying in Firostefani, which is where the current Atlantis Bookstore is located on the island of Santorini, we had to explore it. This cozy shop perches on the edge of the caldera, a vast, black, watery crater created when the volcano exploded on Santorini some 3600 years ago and wiped out the Minoans. A winding path allows tourists to wander up and down its edge and ogle the white-washed houses perched on cliff edges wrapped in greenery. There is a dog, a beautiful, lounging dog that fits perfectly among the quiet cacophony of books, maps, photographs, quotes, and memorabilia.
Atlantis Books is the lovechild of Craig and Oliver, who created the first rendition in 2004 with a group of friends. Previously, it was in Oia (EE-ah) that much photographed white and blue marvel of Greek island architecture. I imagine it’s a labour of love as most people come to browse and not buy. One whole room is devoted to large black and white photographs that chronicle the story of its birth. The shop is stocked with rare books and literature in several languages, philosophy, poetry, and all things Greek. It was a joy to see Leonard Cohen holding a prominent place among the shelves.
As some of you know, I’ve embarked on my writing retreat in Greece. I left Vancouver yesterday (Tuesday) at 6:30am in my first Uber, feeling excited and hopeful. A day later, I’m sitting in a Starbucks at Zurich Airport with free wifi and using my Euro plug. But I still haven’t made it to Greece. I really need to write this all down just to expunge it from my tired, battered brain so I can move on. Literally. If I count, I’ve been out here “traveling” for almost 24 hours, carrying all my gear, and wearing the same clothes.
Monday night, I made the mistake of checking the AC app (I think you all know who AC refers to, Canadian friends. Threatened pilot strike. blah blah blah.) The app announced that my Tuesday morning flight to Toronto with connection to Athens was delayed 1 hour 10 minutes.
I lay there all night, stress hormones literally percolating in my body, trying to decide if I should change my flight because I knew we were cutting that connecting flight really close. I had time I had 30 minutes to run between gates. My travel partner was joining me in Toronto and we were setting off on our Athens flight together. Around 2:30am, I discovered there was a 6am flight. I phoned the AC 24/7 lines five or six times and was told by the pleasant recorded male voice that there was a high level of calls and to be prepared for a three-hour wait time. I still haven’t been able to get through. I knew I wasn’t going to sleep all night so thought why not go out to the airport now and try to get a seat on that flight?
Then I thought, “No, you’ll be fine.”
That’s where I made my second mistake. I should have listened to my intuition.
Screenshot
The Athens flight, along with my partner, departed at 6pm (10 MINUTES EARLY.) Our Vancouver flight left later than predicted. The delay was apparently a mechanical thing. Then, one of the flight attendants was late and we all had to wait for him to arrive and board. Ironically, the best thing on that flight was the kind AC pilot sitting beside me. He helped me unravel the trickier bits of seat trays, overhead bins, and hidden screens. I thanked him and said, “You must wonder how I get through life.” He just smiled. He really was a great guy.
I was first off and raced through Terminal 1 because, you know, I had to try. I found the gate at 6:20pm. I was told that, “Nope. That plane has gone.” In the meantime, AC had rebooked me on a flight Toronto – Zurich – Athens. In theory, this was a decent plan. At boarding time, we, The 300, herded in the loading zones, but there was no plane on the tarmac. It had been in for maintenance that day and wasn’t back yet. About 30 minutes later, the plane appeared and they loaded the people who need extra help. The herd remained jostling anxiously. I wasn’t the only one with connections. About 30 minutes after that, the people who needed extra help came back off the plane and joined us. What? They were doing tests on the plane. Eventually, we all got on and took our seats, and sat there . . . and sat there.
At one point, the whole plane shut down and people stopped boarding. Here are some texts to my friend in Vancouver:
So all the power shut down in the friggin plane and we’re all sitting here in stunned silence.
It’s terrifying and they’re not telling us anything.
The lights are going to black. We’re on emergency power.
What was I thinking? Should I get off and get a hotel? What if this happens while we’re up in the air? I actually texted Tara: “I love you guys.”
When we grabbed the flight attendant, she said it was “just a routine system reboot and it’s 100% now.” She said, she’d made an announcement. Hello, the sound system wasn’t working.
We sat there in scary mode so long, one family with young kids decided to leave the plane. I understood. I was on the cusp of bailing myself when the captain came on to reassure us that everything was just fine. The new problem was the family’s luggage was packed in the hold with the other 300 suitcases. So, we sat there another 45 – 60 minutes while the ground crew rifled through the bags to give them their luggage and the mechanics tried to repair the inflight entertainment system. They were unsuccessful but it took two hours of trying. “It’s for the passengers, you know.”
Eventually, we left. Two hours late. Meaning, I lost my Athens connection in Zurich.
Then, we had a medical emergency somewhere over the ocean. The flight attendants canceled breakfast for everyone but business class because they love business class and they were too busy. Nope, they couldn’t even serve coffee—the coffee maker was broken or something . . . When we finally landed, we were told not to move because the paramedics had to come through to pick up the person. No problem. I’m no longer in a hurray.
So, there you have it. It’s Wednesday afternoon Zurich time and I’m hunkered down in this clean modern airport with a beautiful view of Swiss trees, tarmac, and planes. I have a dinner voucher worth 31 Swiss Franks (something like $50CA.) It’s raining, but I’m on the ground and I’m safe. I have a boarding pass that says I have a 7pm flight to Athens and I’ll arrive around 10:30 tonight and join my travel partner in the hotel. I haven’t slept yet and I really need a shower. But as always, I remained calm throughout. Well, mostly.
This is my first trip in seven years. Hmmmm . . . I know these are first world problems, but SSHHIIITTTT!
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